Nina Paley’s animation masterpiece (and I don’t use that term loosely) is having a full one-week theatrical run in New York City from December 25-31. There are multiple screenings a day at the IFC Film Center (323 Sixth Avenue) and Paley writes on her blog that she’ll be doing Q&As at the 8:25 pm shows “most (possibly all) nights.” Showtimes and tickets are available at the IFC website.
Today was my hat building day, where some lead animators are limbering up for Winnie the Pooh, and most everyone else is plunging into work on Rapunzel.
Up on the second floor, I ran into a down-hearted artist, recently finished with The Princess and the Frog. He told me this:
"I'm not happy with the way TP&TF is performing. They should have released it away from all the blockbusters. I'm disappointed. It's grosses just haven't been as good as we hoped. And after we finish with the Winnie the Pooh feature I don't know if Disney will do anymore hand-drawn pictures" ....
Me, I think that the Mouse will be producing several more hand-drawn epics, but I'm far from an expert. However, a long-term Disney veteran with an office on the third floor agrees with me.
"They've done real well with merchandise for The Princess and the Frog, and that stuff is important. They've got Pooh coming up, and I know that there's another hand-drawn feature, Snow Queen, after that.
I'm thinking that as long as the company can hold costs down, and the grosses are enough so that the studio doesn't lose thirty or forty million dollars, they'll be making hand-drawn features for awhile" ...
I'm not certain that a final verdict on hand-drawn vs. c.g.i. has been rendered, although a c.g. modeler I encountered on the second floor believes the jury has handed in the envelope. ("Look at the last seven years, man. It's pretty conclusive. Computer animation just makes more money.")
I donno. Maybe hand-drawn features are like like Hollywood westerns: Nobody wants to watch one ... until they do. (See "Wolves, Dances With" and "Yuma, 3:10 To".) And then there's the always next Simpsons movie. I seriously doubt that will be rendered in computer graphics.
Last minute gift givers can do a lot worse for any fan of animation than to pickup Family Guy’s new spoof of the classic Star Wars sequel, The Empire Strikes Back.
Family Guy Presents: Something, Something, Something Dark Side (Fox, $22.98 DVD, $29.99 Blu-ray) picks up where the spoof of the original Star Wars, Family Guy: Blue Harvest, left off. The all-new animated feature stars Peter Griffin as Han Solo, Lois as Leia, Chris as Luke, Brian as Chewbacca and, of course, Stewie as Darth Vader.
Both editions are packed with bonus features, including audio commentary, deleted scenes, a behind-the-scenes featurette titled “The Dark Side of Poster Art,” animatics and pop-up video. The Blu-ray edition also includes a digital copy of the film.
Also out this week is District 9 (Sony, $28.96 DVD, $36.95 2-disc edition DVD, $39.95 Blu-ray), the sleeper sci-fi hit of the summer from producer Peter Jackson and director Neill Blomkamp. This original feature follows a South African bureaucrat who stumbles across some bizarre secrets while dealing with a stranded population of aliens known as “prawns.”
The DVD includes a director's commentary, deleted scenes, a three-part documentary, and featurettes on the design and effects of District 9. The Blu-ray also includes an interactive map of Johannesburg and other interactive features.
Toy Story 3 will be coming to IMAX when it’s released next summer, getting a simultaneous 3-D release in the giant-screen format.
The movie will be digital remastered using IMAX technology to suit the format.
“A film like this is designed to take audiences on an exciting thrill-ride adventure, making it a perfect match for both 3D and IMAX,” says Bob Chapek, president of distribution at The Walt Disney Studios.
Due for release June 18, Toy Story 3 reunites the CG-animated toys Buzz, Woody and all their friends as they face an uncertain future once Andy goes off to college.
Toy Story 3 is directed by Lee Unkrich, produced by Darla K. Anderson and written by Michael Arndt.
Wow! Wow! Wubbzy! is extending its run in Spain and Portugal.
In Spain, Playhouse Disney is picking up the second season of the show, which will begin airing in 2010. The channel has been airing the first season of the show seven days a week since June to strong ratings.
RTP also has picked up the second season of the show on the success of the first season, which it has been airing since March. The second season will begin airing in the first quarter of 2010 and the series will premier on Panda sometime next year.
Wow! Wow! Wubbzy! is produced by Bolder Mediam in association with Starz Media’s Film Roman Animation Studio.
Titan Publishing’s Wallace & Gromit digital comic has recorded more than 500,000 downloads of its first free app for the iPhone in the United Kingdom.
The digital comic was released Nov. 7 and has reached No. 3 spot overall for free apps.
The four paid-app episodes of the comic have all reached the top-20 chart for paid apps in the U.K. book chart.
The comics also have been the top free book download in the United States and Canada, and has reached No. 2 in Australia.
"We've been amazed at how well our first app has done — Wallace & Gromit is such a great brand, and iPhone users obviously love them as much as we do,” says Ned Hartley, editor of the Wallace & Gromit digital comics.
The comics also have just become available for download on the PlayStation Portable video game system.
The number of people working in the North American video game industry remained essentially flat compared with 2008, according to Game Developer Research’s third annual census.
The number rose by barely a hair, from 44,400 to 44,804, aided by a large number of new studios opening and countering contractions at older studios. The growth was especially strong in studios specializing in social and online gaming.
Canadian studios saw the most dramatic expansion, with 30 percent year on year growth aided by local authorities and strong development hubs that have formed around Vancouver and Montreal. Another hub is developing around Toronto.
The full report, which breaks down the data in detail and includes a detailed listing and numerical breakdown of the industry in every state and provinces is available for purchase from the Game Developer Research website at www.gamedevresearch.com.
One of my favorite actors and character animation voices, Arnold Stang, has passed away at age 91. In animation, Stang will live forever as the voice of Hanna-Barbera’s Top Cat (1961). Stang was also unforgettable as wise-guy Herman Mouse (aka “Uncle Hoiman”) in the Paramount (Harvey) Herman and Katnip cartoons — and Blackie Sheep in the early Noveltoons. He also voiced Snurtle the Turtle in Pinocchio In the Outer Space (1965), Churchy LeFemme in I Go Pogo (1980), Quesy the Parrot in Richard Williams’ Raggedy Ann and Andy (1977) and voiced characters on Garfield, Courage the Cowardly Dog, among others.
In live action, he appeared in so many of my favorite movies (such as It’s A Mad Mad Mad Mad World) and guilty pleasures (Skidoo, Hercules in New York). His sequence with Jonathan Winters in Mad Mad World is one of the funniest and most memorable bits in that film. The publicity photo above promotes the American-International dub of Alakazam The Great (1961), in which Stang (center) participated with Winters (left) (and I think that’s Jackie Joseph at right) on the English track.
MSNBC is reporting that the British rock group Def Leppard is developing an animated series with their publishing company Primary Wave, along with "unusual" video game and cell phone applications. According to the report, the show is still in the early stages and has not been pitched to any broadcast networks.
DVD Town Interviews Nina Paley on "Sita Sings the Blues"
DVD Town has interviewed filmmaker Nina Paley on her film Sita Sings the Blues, digging into the artistic and creative sides of making the movie. Among other topics, the interview covers whether Paley thought she was being presumptuous in tying the dissolution of her marriage to The Ramayana, the discovery and incorporation of the blues songs of Annette Hanshaw, the animation style of the movie, and Paley's influences in the movie.
Alan Burnett Comments On Recent "Green Lantern: First Flight" Annie Award Nomination
The World's Finest caught up with Green Lantern: First Flight writer Alan Burnett for a statement on a recent award nomination for the direct-to-video animated feature.
Announced earlier this month, the Green Lantern: First Flight direct-to-video animated feature received a nomination in the 37th Annual Annie Awards, awards recognizing the year’s best animated features, television productions, commercials, short subjects and more. The nomination is as follows.
Green Lantern: First Flight -Best Animated Home Entertainment Production
The World’s Finest was able to talk to Alan Burnett, writer of the Green Lantern: First Flight animated feature, for a statement on the feature's nomination
"I was very grateful for everyone's work on the film and how it turned out," says Burnett. "Lauren Montgomery and her team visualized a whole new and quite extensive universe, which is no small feat considering the constraints of DVD production."
When asked if he would consider writing a follow-up for Green Lantern: First Flight, Burnett seemed fond of the idea.
"Of course I would love to return to Oa," exclaims Burnett. "These days it seems to be the happenin' place."
The Annie Awards honor overall excellence in the field of animation as well as individual achievement in a total of 24 categories ranging from production design, character animation, and effects animation to storyboarding, writing, music and voice acting. More details can be found at the official website for the 37th Annual Annie Awards. Award recipients will claim their trophies at the 37th Annual Annie Awards scheduled for Saturday, February 6th, 2010 at UCLA's Royce Hall in Los Angeles, California.
The multimedia kid's adventure property Hero: 108 is inching closer to an international rollout.
Following assorted of action heroes whose chief cause for justice is to quell a long-running war between animal and humankind, Hero: 108 is perhaps best classified as a comedy-action animation with a bounty of online and offline gaming components lying in wait from its many development partners.
When a villain manages to twist the hearts of the animal kingdom such that they turn against humanity, only a gaggle of highly talented (and highly powerful) heroes can bring this villain to justice (and save an array of strange, powerful, and often dangerous animals in the process).
An animated television series managed and produced by The MoonScoop Group (Chloe's Closet, Tara Duncan), specifically including animation production by the west coast's Mike Young Productions, Hero: 108 is about a group of fighters with funny and unique abilities dedicated to stopping the mindless carnage the evil HighRoller set in motion sometime ago. Only recently, MoonScoop Group has appointed Cartoon Network Enterprises as the licensing agent for Hero: 108 in select European territories.
The story of Hero: 108 begins with an evil little guy named HighRoller, whom in all his greed and small-mindedness, learned to speak the language of animals and over the years convinced them humankind were their enemies. The animals, driven by rage and disgust, bred a sharp-toothed and fanged army, and drove people out of their homes and villages. HighRoller thus stood tall above all other humans, controlling an army of beasts at his leisure. Humankind and animal-kind used to live in harmony, but ever since the ascension of this one evil man, nothing has ever been the same since.
Lin Chung
A flash-animated series, Hero: 108 is scheduled for worldwide rollout on Cartoon Network channels in early 2010.
The cartoon is scheduled for fifty-two, eleven-minute installments, and boasts a pleasant collage of colorful, angular, personable characters musing on the balance betwixt man and nature.
MoonScoop is co-producing the title in association with Cartoon Network UK and Gamania Digital Entertainment Group (Taipei, Taiwan), a game development hub. MoonScoop has officially made Cartoon Network Enterprises the agent for Hero 108, offering the licensing arm governance over territories such as the UK, Spain, Turkey, Greece, South Africa, and Middle East among others.
At the heart of the animated series, there's also the story of Big Green, an alliance of super-talented good guys, tasked with bringing peace back to the world, dethroning mankind's nemesis in HighRoller. The top warrior of Big Green is Lin Chung, who himself serves as commander of First Squad -- the best of the best. A sharpshooter, strong-quiet-type, Lin Chung has a knack for remaining calm under pressure and always lends a helping hand to his fellow fighters. As Hero: 108 focuses on First Squad, viewers are also likely to become familiar with Mystique Sonia, a pretty and confident fighter with the ability to use her super-stretchy tongue as a weapon alongside a strange creature called a Yaksha (which she sports as a hat), as weapons.
Also on First Squad: Mighty Ray, the strongest member of Big Green. As his description goes: "He possesses mighty Magical Electrical Eyeballs, which can unleash incredible blasts of lightning, fire, and thunder. His blasts can zap a battalion of Rabbits unconscious, or blow a hole in a mountain. He releases his bursts of ocular energy with his signature battle cry, 'Fear my eyeballs!'" And last but not least, there's Jumpy Ghostface, formerly king of the rabbits. Jumpy is a somewhat lonely but resourceful member of the combat squad, using his ninja skills and extraordinary jumping abilities to help lift the team to victory.
As with every team of superheroes, every character has their quirks. Lin Chung is a prolific, though terrible artist; Jumpy Ghostface, being a rabbit, cannot speak but is taking voice lessons; and Mr. No Hands, task-master and trainer of First Squad at Big Green, though having hands, chooses not to use them because "[they] have a tendency to misbehave if he lets them out in the open."
Hero: 108, is loosely inspired by the classic Chinese masterpiece "The Water Margin"; has a primary target audience of Kids 6-11, and a secondary collector market with Adults 18-25.
MoonScoop is also planning to roll out 108 individualized online mini-games, derived from the characters involved in the television animation. This multi-platform launch-from-the-start is similar in concept though different in execution to Ankama Animations' visually aggressive action title Wakfu. Regardless, Hero: 108 also looks to have a thorough, interactive MMOG released alongside the TV series. MoonScoop recently launched www.Hero108online.com as evidence of this.
Additional licensing support for Hero: 108, which will see final products on shelves in Spring 2010, include toys, books, and mobile gaming -- no doubt distributed through the various European territories where MoonScoop already has confident market penetration. Licensing partners for Hero: 108 include Playmates Toys, Inc. (action figures), Atlantyca (publishing), Hardcore 3D Wireless (mobile gaming; iPhone apps), and Mad Engine (apparel).
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Often we forget the little guy, the SMB, in our discussions of the comings and goings of the Internet marketing industry. Sure there are times like this when a report surfaces talking about their issues and concerns but, for the most part, we like to talk about big brands and how they do the Internet marketing thing well or not so well.
Ben studied animation under former Disney animator Milt Neil at the Joe Kubert School of Cartoon and Graphic Art. He has been in the animation industry since 1984. He started doing animation for small commercials, then years later moved on to J.J. Sedelmaier Productions working on the "Cluckin' Chicken" parody for Saturday Night Live, which led to MTV, where he worked on "Beavis and Butt-Head", doing storyboard revisions, character and prop design, layout. animation on the hallucination sequence on the feature "Beavis and Butt-head Do "America" and also MTV's "The Maxx", doing character layout. As a freelancer, he's worked for various companies including Disney TV, Nickelodeon, Cartoon Network, HBO Family, Miramax, Warner Bros., Saatchi and Saatchi, General Mills and Comedy Central. Currently, he's still doing the freelancing thing, while developing some personal projects for pitching.
1 comment:
Often we forget the little guy, the SMB, in our discussions of the comings and goings of the Internet marketing industry. Sure there are times like this when a report surfaces talking about their issues and concerns but, for the most part, we like to talk about big brands and how they do the Internet marketing thing well or not so well.
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