As reviews start to pour in, The Hollywood Reporter describes The Princess And The Frog as “Disney brilliantly rediscovering hand-drawn animation and the value of story. The best Disney animated film in years, it dates back to the days when Walt Disney was a person, not a brand”.
Brutal Legend Jams With Dethklok at Titmouse
Titmouse Inc’s Edward Artinian directed and animated this spot below, which promotes the new Brutal Legend video game from Electronic Arts. The heavy-metal game features the voice and likeness of Jack Black, who plays a roadie charged with saving the world, and here he joins the cast of Metalocalypse. The spot was created to play during the Dethklok Tour 2009, which wound down last week. Most of the scenes in the spot were animated in Flash, while lighting was handled in After Effects.
Fortune on Albie Hecht's "Worldwide Biggies" iPhone Animation Initiative
Fortune magazine has taken a look at Albie Hecht's new Worldwide Biggies studio, which will debut a new animated character Bigby in an iPhone app rather than as the lead of his own animated television show. Hecht is a former president of Nickelodeon Entertainment, overseeing the production and development of SpongeBob SquarePants, Dora the Explorer, and Blue's Clues, and sees the move as a step towards a new business model for developing animated properties.
Screen International Talks to Directors of Three "Best Animated Feature" Contenders
What do PBS, NPR, The Jerry Lewis MDA Telethon and ASIFA-East all have in common? They all survive on donations in order to survive. Last week ASIFA-East held the first ever calendar fundraiser event featuring art from a number of NYC animation superstars.
On hand to sign the calendars and share their films were nine out of the twelve artists who contributed artwork. The audience was treated to a sneak peek of Bill Plimpton’s newest feature Cheatin. Michael Sporn showed a couple of his favorite shorts while Debra Solomon shared a few songs from her newest film for HBO, Getting Over Him in Eight Songs or Less. Candy Kugel brought her award winning piece Command Z and George Griffin shared a film he made 30 years ago as a younger man. Jen Oxley screened a couple of her latest shorts made for Sesame Street and Xeth Feinberg showed a few of his latest Xethtoons. Emily Hubley played one of her classic films Octave and Signe Baumane showed a few of her lesser known Teat Beat of Sex shorts which are always uplifting. Mo Willems, who was not in attendance, sent along a sneak preview of his newest short Don’t Let the Pigeon Drive the Bus.
In addition to the featured artists, Dick Rauh (President of ASIFA-East from the late 1960s through 1989) was there to lend his support and didn’t know why we hadn’t thought to do a calendar before.
Having all that talent in one place at the same time made for a fantastic event. The animation veterans were able to catch up with each other while those newer to the field were able to meet and get advice from artists whose work they have admired for years.
If you missed the event, don’t worry, there is still time to pick up one of our ASIFA-East full-color calendars (SRP $10) and have Mr. October (John Dilworth) autograph it for you by attending our December 9th event. So come out and show your support for ASIFA-East by buying a calendar or two for everyone on your holiday list. All proceeds go to ASIFA-East and count as a charitable donation on your taxes.
With Thanksgiving upon us, time for an early Holiday linkfest, starting with Samurai Jacktraveling to the Big Screen:
STAR TREK director J.J. Abrams will be joining former Hanna-Barbera president Fred Seibert to produce a feature film version of the hit Cartoon Network animated series SAMURAI JACK. The $20 million film will use a combination of traditional cell animation and stereoscopic 3-D ...
Creative Talent Network's Animation Expo, held this past weekend at the Marriot across from the Bob Hope Airport in Burbank, was a well-attended success. Tina Price put in a lot of hard work to make the expo happen, and the event, based on eye-witness reports, came off wonderfully well:
The first Creative Talent Network Animation Expo kicked off Friday at the Marriott Hotel and Convention Center in Burbank, drawing hundreds of students and professionals for an exhibition in a region that is widely acknowledged as the animation capital of the world.
The event featured seminars from innovators like “Hellboy” comic book creator Mike Mignola and entrepreneurial animator Don Bluth, who split off from major studios to create “The Secret of NIMH.”
The event was an opportunity for animators to learn from industry pioneers, while also promoting their own work, said Tina Price, who founded the Creative Talent Network.
TIME Magazine thinks highly of The Princess and The Frog.
Big Fun on the Bayou -- ...Musker and Clements, the New Old Men, have bucked the odds and made a cartoon feature that is true to vintage Disney traditions (like wishing upon a star) yet moves with a contemporary verve and bounce. In an amazing year for animation, The Princess and the Frog is up at the top. Go on, give it a big kiss.
"I say our movies always have to have five Wow Wees, " says Katzenberg, in something of a Botticelli moment. "What's a Wow Wee? You see it and you go, Wow. Wee." He explains how Chris Sanders, director of the upcoming How to Train Your Dragon, wanted a beast that could breathe fire under water. "I mean, what kind of particle physics would it require for that to happen? Fire in water?" asks Katzenberg. "Our tech team goes, 'Okay, we'll figure it out.' " He grins. "Did anyone here tell you Jeffrey's Law? More is never enough." ...
"I saw Rupert Murdoch the other day and said, Would you like to be Rupert Murdoch? And I went, No, I don't think so. Would I like to be Steve Jobs? No. I admire him like crazy, but I don't envy him. I don't want Mark Hurd's job at HP. I couldn't do Mark Hurd's job -- I don't have the talent or ability. ... Do I want to be Bob Iger? Bob is doing an outstanding job running Disney. I'm happy for him. ... But actually, I wouldn't want that job. No. I'm doing exactly what I want to be doing." ...
You think that hand-drawn animation has been neglected? What about the Ray Harryhausen school of movement?
From Prince Achmed to The Fantastic Mr. Fox: Great moments in stop motion animation: ... Stop motion was the domain of European animators in the 30s and 40s, and it wasn't until Hansel and Gretel: An Opera Fantasy (see above), released in 1954 by RKO, that American animators gave a go at a stop motion feature. However, the characters in the film, called "kineman", were very advanced, containing realistic attributes and magnetic feet - and they took fifteen years to develop ...
The powerhouse Disney Channel, which was born back when Rom Miller was Chairman of Diz Co. in the early eighties, names a new President.
Walt Disney Co. named Carolina Lightcap as the new president of Disney Channel Worldwide.
The new post puts Ms. Lightcap, 42 years old, in charge of a unit that has become increasingly essential to Disney's broader business. The Disney Channel has generated some of the company's most successful recent properties, including the "High School Musical" series and its offshoots, and has served as the launching pad for pop-music stars Miley Cyrus, Selena Gomez and Demi Lovato.
Artist Todd McFarlane discusses an animated Spawn:
What's the status on the Spawn animation?
McFarlane: The animation, we've put about a year and a half of work into it; ...then we got into a bit of a legal tussle. So it got boxed up and put into a corner. But at the end of this year, all that work and all those rights come back to me. So I'll have them in my hand on December 31st, and I'll walk into Hollywood probably the next month and start going, "Hey! Here's what we got!" And if anyone wants to bring the animation back, we're a year and a half into it. So we could literally hit the ground running. We don't have to develop it; it's done. We've got 90 minutes of it scripted, voiced, backgrounds, characters -- everything is done other than finding the studio to actually do the frame-by-frame ...
More great Star Wars reinterpretations are emerging from the Star Wars Uncut project. Here’s Kiwi Chris Stapp’s take on scene 450:
Muppets’ Mission To Mercury: Bohemian Rhapsody
Of all the amazing musical guests who appeared on The Muppet Show during its 5-season run, somehow Freddie Mercury and Queen never appeared. This week, however, Mercury’s talent and memory live on in this new video from The Muppets. Animal, Fozzie Bear, Miss Piggy and the rest of the gang tackle Bohemian Rhapsody. I suspect this was directed by longtime Muppet-man Kirk Thatcher, and Artie Esposito likely performed Kermit.
In related news, did you know you can design your own Muppet at the Muppet Whatnot Workshop at FAO Schwarz?
EXCLUSIVE: Ryan Reynolds On Green Lantern's Costume And Deadpool's Debut
Now, we're wrapping things up with an actor poised to have a very big year in the comics scene: "Green Lantern" and "Deadpool" star Ryan Reynolds.
In our extensive interview with Reynolds, he discusses his work on the upcoming comic book movies, his debut as Wade "Deadpool" Wilson in "X-Men Origins: Wolverine," and his critically praised performances in the romantic comedy "The Proposal" and indie film "Adventureland." But we all know which films you're here to read about, so here's what Reynolds had to say...
Ben studied animation under former Disney animator Milt Neil at the Joe Kubert School of Cartoon and Graphic Art. He has been in the animation industry since 1984. He started doing animation for small commercials, then years later moved on to J.J. Sedelmaier Productions working on the "Cluckin' Chicken" parody for Saturday Night Live, which led to MTV, where he worked on "Beavis and Butt-Head", doing storyboard revisions, character and prop design, layout. animation on the hallucination sequence on the feature "Beavis and Butt-head Do "America" and also MTV's "The Maxx", doing character layout. As a freelancer, he's worked for various companies including Disney TV, Nickelodeon, Cartoon Network, HBO Family, Miramax, Warner Bros., Saatchi and Saatchi, General Mills and Comedy Central. Currently, he's still doing the freelancing thing, while developing some personal projects for pitching.
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