Your name is Cartoon Network, so you expect to see nothing but animation when you flip CN on your TV. But the times they are a-changing, so don’t get left behind because now we’ve got real people and we’ve heard it blows your mind.
Those are the lyrics from an abrasive Andrew W.K. music video that Cartoon Network released online yesterday. We’ve been reporting on Cartoon Network’s slow, steady decline since April 2006. It’s fascinating to watch how clumsily the network is diluting their brand, and how tactlessly they’re integrating this cheap hodge-podge of live-action shows into their line-up. The first signs of a CN Real backlash are already forming: a Facebook group called Boycott Cartoon Network’s “CN Real” block was recently started and has over 1,400 members.
After graduating from French animation school Gobelins, Tom Haugomat and Bruno Mangyoku partnered up and became the directing duo Tom&Bruno. They are currently repped by Cube Creative and have been working on a short film called Jean François, the trailer for which can be seen above. The piece looks beautiful; it’s a fusion of anime filmmaking techniques and graphically inventive character design that wouldn’t look out of place in an Estonian animated short. Can’t wait to see the finished product. The filmmakers have a blog with artwork from the film.
Tvshowsondvd.com reports that Warner will release Volume 2 of the Cartoon Network show, The Secret Saturdays on DVD October 27th.
It will contain these 5 episodes:
The King of Kumari Kandam Van Rook's Apprentice Twelve Hundred Degrees Fahrenheit The Swarm at the Edge of Space The Owlman Feeds at Midnight
Fox Tells Us To Munk Ourselves!! A Teaser For Alvin and the Chipmunks: The Squeakuel Is Now Online!!
Well, I guess it had to happen sooner or later...
As much as we wanted it to go away, the coming of Alvin and the Chipmunks: The Squeakuel seems inexorable. Evidenced by this teaser, originating from MTV's Movie Blog
Princess And The Frog Animation Tour Featurette
When Eisner finally left and Lasseter moved in, the Mouse House's animation department was suffering big time. A lot of desks had been basically emptied and the cartoon division of Disney was struggling.
Now that the ship has been repainted with a new crew, Disney is not only looking forward with its CGI animation division, it's also going back to what made them famous in the first place - hand drawn animation.
The Disney Channel and some dorky hosts went on a tour of he animation studio located in Burbank.
The clips are in five parts and include interviews, a scene from the film and more. Check them all out below.
Lazy, transparent, disposable and at its worst, boring, Ice Age: Dawn Of The Dinosaurs is a sometimes beautiful piece of animation consistently ruined by unfocused directing, bizarre editing choices, phoned-in voice acting, and a script which is neither witty nor filled with momentum. Of course it’s in 3D too because the extra dimension, like everything else in the prehistoric troposphere, is yet another apparatus for the film to hastily implement without foresight, planning or success. I guess the first question which comes to mind is why bother? Why bother even finishing a film all involved were clearly so ambivalent about? ...
There are so many things going on in "Ice Age: Dawn of the Dinosaurs," ... why does the third installment of this animated tale often feel so glacial? ...
Even the gray lady, even while sprinkling a few compliments, gives the feature the back of its gloved hand.
A collection of short Scrat films would be much more pleasing than the elephantine “Ice Age” series ...
Owwy yeowy.
Me? I liked the first Ice Age and thought the second one told its story well. (The third one I have not seen.) But I think that the negative reviews -- and they are far from being all negative -- will have minimal impact on worldwide grosses. The earlier films did robust numbers in all corners of the globe, and by now Ice Age is a brand name.
This third incarnation is going to make Fox lots of money.
DVD And Blu-ray Art For Upcoming "Superman/Batman: Public Enemies" Animated Feature
Warner Home Video has released the cover art for the single-disc DVD, two-disc DVD, and Blu-ray editions of the upcoming September 29th, 2009 release of the Superman/Batman: Public Enemies animated feature.
Click on the thumbnails below for a closer look.
A co-production of Warner Premiere, DC Comics and Warner Bros. Animation, Superman/Batman: Public Enemies will debut Tuesday, September 29th, 2009 on DVD and Blu-ray disc.
"Green Lantern: First Flight" Makes its World Premiere at Comic Con
Warner Home Video has issued a press release for the world premiere of Green Lantern: First Flight at Comic Con on Thursday, July 23rd.
Warner Home Video presents the World Premiere of GREEN LANTERN: FIRST FLIGHT at Comic-Con on Thursday, July 23
Green Lantern: First Flight, the highly-anticipated fifth entry in the popular DVD series of DC Universe animated original PG-13 movies, will have its world premiere at Comic-Con in San Diego on Thursday, July 23, 2009.
More than 4,000 fans will have the opportunity to see Green Lantern: First Flight on the big screen five days before the latest DC Universe film is distributed on DVD and Blu-Ray™ Hi-Def. The film will premiere in the San Diego Convention Center’s Ballroom 20 at 8:00 p.m.
A panel comprised of filmmakers and voice cast will be presented on the following day, Friday, July 24. Details on that panel and its participants will be announced next week.
Acclaimed actor Christopher Meloni (Law & Order: Special Victims Unit) fills the lead voice of Hal Jordan aka Green Lantern. Meloni is joined by fellow Emmy Award nominee Victor Garber (Milk, Titanic) as the villainous Sinestro, Tricia Helfer (Battlestar Galactica) as the voice of Boodikka, and Michael Madsen (Reservoir Dogs) as Kilowog. The cast also includes Juliet Landau (Buffy the Vampire Slayer), John Larroquette (Night Court), Kurtwood Smith (That ‘70s Show), and David Lander (Laverne & Shirley).
Produced by animation legend Bruce Timm, Green Lantern: First Flight is helmed by heralded director Lauren Montgomery (Wonder Woman, Superman Doomsday) and scripted by four-time Emmy Award-winning writer Alan Burnett (The Batman).
Green Lantern: First Flight finds Hal Jordan recruited to join the Green Lantern Corps and placed under the supervision of respected senior Lantern Sinestro. The earthling soon discovers his mentor is actually the central figure in a secret conspiracy that threatens the philosophies, traditions and hierarchy of the entire Green Lantern Corps. Hal must quickly hone his newfound powers and combat the treasonous Lanterns within the ranks to maintain order in the universe.
A co-production of Warner Premiere, DC Comics and Warner Bros. Animation, the illuminated hero’s first-ever full-length animated film is set for release by Warner Home Video on July 28, 2009. Green Lantern: First Flight will be available as a special edition 2-disc version on DVD and Blu-Ray™ Hi-Def, as well as single disc DVD.
Secret of Kells NYC Screenings
Animationinsider.net has announced the first public US screening of Cartoon Saloon’sThe Secret of Kells feature. The New York International Children’s Film Festival will screen the film on July 18th and 19th. Tickets are currently available.
Here’s some rough animation from the film, which is included in Alfredo Cassano’s animation reel.
City Harvest Launches Animated PSAs
City Harvest, a NYC-based food rescue program (they gather and distribute excess food), has launched an online campaign, titled Rescue Food, featuring a number of animated shorts. Here’s one by Nathan Love, who also produced the music for this piece, titled Cabbage, Interrupted.
And here’s another. High Stakes Poker is a stop-motion piece by David Michael Friend.
Astro Boy's Kristen Bell ready to win more fanboy hearts as an anime urchin
Cora (Kristen Bell) befriends Astro Boy
Kristen Bell—who has become a cult favorite for her roles in Heroes, Fanboys and Veronica Mars—is likely to extend her following as she lends her voice to the ultimate sci-fi franchise: She plays the new girl in Imagi Studios' upcoming 3-D animated feature-film version of the venerable Japanese Astro Boy series.
"I play Cora, who is a girl who befriends Astro when he comes down from Metro City onto the surface of Earth," Bell said in an interview last week at the Saturn Awards in Burbank, Calif. (She presented the award for best action/adventure film.) "She runs a little kind of like Peter Pan group of kids. She's pretty tough, pretty sassy."
Freddie Highmore voices the title character in Astro Boy
The original Astro Boy series, based on the 1952 manga by Osamu Tezuka, is often credited as the first anime-style film. Like the original series, the new English-language movie centers on the origins of the robot boy who was created by a scientist who had lost his real son. Fans got their first peek at the new CGI incarnation of Astro Boy at New York Comic Con in February. Bell has seen footage throughout the process of animation.
"I've seen a lot of it, actually," Bell said. "It looks amazing. To be involved in the process is really exciting, because you see the layers that they put on, and you see when they don't have the 3-D involved and then when they do, and you see when it's just penciled out. It was a really interesting process."
Bell's part has not changed much throughout the visual development of the film, although she has had to re-record lines based on other voice actors' performances. "Sometimes when another character comes in and records and they like something they've done, you have to match it or be at a comparable state of mind in the scene, because you don't record with other people," she said. "Overall, it was a really easy, fun process."
For all her self-professed sci-fi obsessions, Bell was a newcomer to Astro Boy. Until now. "I didn't know Astro Boy at all, but now I'm immersed and have all the little toys and stuff," she said.
Summit Entertainment will release Astro Boy in theaters on Oct. 23.
EXCLUSIVE: ‘Beavis And Butt-Head’ & ‘Office Space’ Creator Mike Judge Bringing ‘Extract’ To Comic-Con
For anyone wondering what’s next on the schedule for Mike Judge, the writer/director of “Office Space” and creator of the animated series “Beavis and Butt-Head” and “King of the Hill,” the wait is over. Judge will join MTV’s Josh Horowitz at San Diego Comic-Con on July 25 to discuss his new film, “Extract,” starring Jason Bateman, Mila Kunis, Ben Affleck and Kristen Wiig.
Judge will also be screening exclusive footage from the film as part of the panel, but anyone unable to make the trip to San Diego can check out MTV.com for the exclusive premiere of the “Extract” footage. The online premiere will coincide with the Comic-Con panel, but Judge offered MTV.com readers the first look at an exclusive image from “Extract” over on MTV Movies Blog. He also shared some thoughts with Splash Page about the Comic-Con experience.
“It didn’t seem to have a whole lot to do with comic books,” said Judge of his first Comic-Con, three years ago. “I’m sure it started out as this comic book convention and now it’s turned into a big film festival. I don’t know what’s next — maybe there will be a baseball card trade show there.”
As for why he chose Comic-Con for the big debut of “Extract,” Judge seemed a bit, well… uncertain.
“Why are we showing ‘Extract’ at Comic Con?” he joked. “It’s not based on a comic book. ‘Office Space’ at least started off as animated.”
EXCLUSIVE: Sam Jackson Says Nick Fury Won’t See Action In ‘Iron Man 2’
Back in early May, we got our first look at Samuel L. Jackson as S.H.I.E.L.D. Chief Nick Fury on the set of “Iron Man 2,” looking every bit the bad-ass in black leather and eyepatch — or at least, as bad-ass as someone can look when standing next to a giant donut.
Never mind the environment, we said, Nick Fury is sure to be kickin’ butt and taking names alongside Tony Stark in the “Iron Man” sequel, right? Not so, according to Jackson. In fact, when we caught up with the actor during an event commemorating the 20th anniversary of Spike Lee’s film “Do The Right Thing,” Jackson said fans will likely have to wait for “The Avengers” for Fury to see some action.
“Not this time, not yet,” Jackson told MTV News of the likelihood we’ll see his character become the action hero fans know in “Iron Man 2.”“We still haven’t moved Nick Fury into the bad-ass zone. He’s still just kind of a talker.”
Asked whether fans will have to wait until the superhero team-up in “The Avengers” to see Fury get ready to rumble, Jackson simply said, “Looking forward to that, yeah.”
Along with dropping some hints about Nick Fury’s potential brawl, Jackson also told MTV News that he’s done filming on the project, adding that most of his scenes were shot with Robert Downey Jr., but there were also a few with Scarlett Johansson, too.
With a nine-movie deal for Marvel Studios, it’s likely that we’ll see a lot more of Jackson’s character — and in more than just “Iron Man 2″ or “The Avengers.” Whether his roles in films like “Thor” and “The First Avenger: Captain America” will be similarly low on action or move Nick Fury into a more aggressive place in Marvel’s movie world remains to be seen, though.
A new Alien Nation series develops at SCI FI Channel
Looks like another fan-favorite franchise will get the reboot: SCI FI Channel is developing a new version of Alien Nation, which originated as a 1988 movie written by Rockne O'Bannon and was spun off as a TV show and a series of TV movies.
Tim Minear—the writer/producer known to fans for his work on Angel, Firefly and Wonderfalls, among others—is writing the new take on the franchise, about the arrival of a group of refugee aliens and their integration into Earth's population, with the focus on a veteran police detective and his "newcomer" partner and family.
Variety broke the news:
Alien Nation centers on the partnership between a veteran cop and his alien detective partner, set against the larger tale of alien "newcomers" who move to Earth and attempt to assimilate into society.
Fox 21 topper Chris Carlisle said he believed Alien Nation could rep the next franchise revival for SCI FI, which found huge success in dusting off Battlestar Galactica and reworking it for today's auds. Carlisle said Alien Nation works both as a sci-fi piece and a procedural drama.
"It's absolute perfect timing for this type of show," Carlisle said. "They're looking for more grounded sci-fi and close-ended episodes, and at the heart of Alien Nation, it's a cop movie. It's grounded. And it has a tremendous amount of dramatic possibilities and humor."
Alien Nation was originally envisioned in part as a metaphor for the immigration issues facing America in the 1980s; the new version would undoubtedly work in current issues facing society in the first part of the 21st century.
The new series is designed to take place in the 2020s, about 20 years after the first ship crashes on Earth, and will take place in the Pacific Northwest (perhaps to take advantage of a shooting location in Vancouver? We're just guessing here). The aliens will have multiplied to a population of about 3.5 million and would live in their own communities, analogous to the North African ghettos in France.
The news coincides with the similarly themed movie District 9, produced by Peter Jackson, which deals with the arrival of a group of refugee aliens who find themselves segregated from society and interned in camps. That movie opens on Aug. 14.
So now it's possible Smallville's upcoming ninth season may not be its last?
Justin Hartley at the Saturn Awards
The fact that The CW's Smallville is entering its ninth season has surprised its producers, let alone the fans. The show, which began with Clark Kent in high school before he became Superman, has morphed into a series with many other popular DC Comics characters in their younger incarnations. Now, Justin Hartley, who plays Oliver Queen/Green Arrow, said reports that the ninth season will be the last may be premature.
"Look, they're so busy right now, they don't know if they're doing one more season or eight more seasons or two more seasons," Hartley said last week at the Saturn Awards in Burbank, Calif. "They have no idea. So we'll see. I've spoken to them a couple weeks ago and had kind of a vague conversation with them about concept and stuff."
Hartley plays Oliver Queen/Green Arrow
Hartley returns to work in July. As season nine begins, Oliver might be doing more harm than good. "I know I'm in the episode," he said. "I know there's a couple of saves gone awry. I think Oliver might be drinking again, which is always fun to play. So we'll see what happens. I'll leave that up to the brain trust."
The show should pick up where the season finale left off, though considering how long its cast has been playing teenagers/young adults, Hartley can't be sure of the timeline.
"I don't know, but I've been going to the gym, and I've been doing a lot of moisturizing, so hopefully not too long [after], because I think actually in season nine, I'm actually going to play a little younger than I did in season eight," Hartley said. "So we'll see. Maybe we actually go back in time. I'd say I'm playing what, 14 or 15 right now, about, roughly. I don't know, maybe a couple months [have passed]."
Smallville will also introduce General Zod this year (played by Callum Blue), but it is too early for Hartley to know if Green Arrow will encounter the iconic supervillain.
"I don't know, we'll see," Hartley said. "I hope so. I always like to work with new actors. We just got this guy. I guess they hired a gentleman a couple days ago, so hopefully. We'll see what happens."
Smallville returns Sept. 25 on The CW and will move to a new timeslot, Fridays at 8 p.m. ET/PT.
Any comics fan watching MTV in the mid-1990s knew about “The Maxx.” The 13-episode animated series based on Sam Kieth’s surreal comic aired from April-June in 1995 during MTV’s “Oddities” and presented a nearly word-for-word, panel-for-panel recreation of the first volume of the Image Comics series.
The MTV mothership recently made all of the episodes available to watch online, and I’d be lying if I said it didn’t make for one heck of a distraction during my workday today. Here’s the introductory episode of series, with the rest of the first season available in the MTV.com video archive.
Seriously, folks — I’d almost forgotten how cool this series was. Do yourself a favor and watch ‘em all again.
(Ed Note: Having worked on this show, objectively speaking, it was, and still is, muy cool)
Greg Ford animates Tom Gammill’s The Doozies
When I was at Ohio State in Columbus this past weekend I had the pleasure of meeting writer Tom Gammill, who (along with his partner Max Pross) has written some of the funniest episodes of Seinfeld, The Critic, the Simpsons and Futurama. Tom also writes and draws the weekly daily online comic strip The Doozies and started an online series of humorous “How To Draw” videos (several featuring guest cartoonists and celebrity friends). In episode 17, Gammill visits Greg Ford’s studio in New York to watch a work-in-progress of a Doozies animated cartoon. Gammill first met Ford back in 1986 when they co-wrote the Looney Tunes 50th Anniversary Special for NBC. Let’s see how Ford is doing…
A new one-sheet advertising Sony’s Cloudy With A Chance Of Meatballs has appeared online and can be viewed at Internet Poster Movie Awards. The animated comedy, based on a children’s novel of the same name, is due to hit theaters this September.
VES Honors Pixar’s Catmull
The Visual Effects Society will honor Ed Catmull, president of the Walt Disney and Pixar Animation Studios, with its 2010 George Melies Award.
The honor, presented to people who have “pioneered a significant and lasting contribution to the art and/or science of the visual effects industry by way of artistry, invention and groundbreaking work,” will be bestowed at the VES Awards, set for Feb. 28, 2010, at the Hyatt Regency Century Plaza Hotel in Los Angeles.
“Ed Catmull has helped redefine the field of animation over the past three decades,” said VES Executive Director Eric Roth. “Ed has become one of the giants of our industry by pioneering new ways to tell animated stories in a successful studio environment. He has been at the forefront of ensuring that while the animation should always be as eye-popping as possible, the story itself always has to be first class as well.”
Catmull, who co-founded Pixar, played a significant role in creating the hardware and software that inaugurated the age of computer animation. He has earned five Oscars, the ACM SIGGRAPH Steven A. Coons Award for lifetime contributions in the computer graphics field, and the Ub Iwerks award.
Previous recipients of the George Melies Award include Robert Abel, Phil Tippett and Catmull’s Disney-Pixar colleague John Lasseter.
The Spine, an animated short directed by Chris Landreth and co-produced by the National Film Board of Canada, has one the Best of Festival Award at the Melbourne International Animation Festival.
Co-produced by Copperheart Animation and C.O.R.E. Digital Pictures, the win for The Spine marks the second time the festival has bestowed the honor on Landreth, who won in 2005 for his Oscar-winning short Ryan.
Also winning awards were Susan Danta’s The Bronze Mirror, named Best Austrialian Film, and Susan McMinn’s The Last Warhorse, which won for Best Australian Student Film.
Judges awards and audience awards also were handed out in each program to the following films:
Judges Awards Prog #1 – According To Birds; Linde Faas (Holland) Prog #2 – Rex The Dog “Bubblelicious”; G. de Crecy (France) Prog #3 – Around; Ryu Kato (Japan) Prog #4 – The Employment; Santiago ‘Bou’ Grasso (Argentina) Prog #5 – This Way Up; Smith & Foulkes (UK) Prog #6 – The Crumblegiant; John McCloskey (Ireland) Prog #7 – Digital Panorama – Monsieur Cok; F. Dion, R. van den Boom (France) Prog #8 – Abstract Panorama – Bildfenster-Fensterbilder; Bert Gottschalk (Germany) Prog #9 – Long Shorts – Kitchen Dimensions; Priit Tender (Estonia) Prog #10 – New Croatian Animation – She Who Measures; Velijko Popovic Late Night Bizarre – Superjail; Aaron Augenblick (USA) SIGGRAPH #1 – Monsieur Cok; F. Dion, R. van den Boom (France) SIGGRAPH #2 – Kudan; Taku Kimura (Japan) Sand Panorama – Hungu; Nicolas Brault (Canada) Best Of The Next (International) – Urs; Moritz Mayenhofer (Germany) Kids – Lost And Found; Phil Hunt (UK) Music Video – Troista “Three Angels”; Yulia Rudtskaya (Belarus) Installation – Construction 76; Lia (Austria)
Audience Awards Prog #1 – I Am So Proud Of You; Don Hertzfeldt (USA) Prog #2 – Rex The Dog “Bubblelicious”; G. de Crecy (France) Prog #3 – Codswallop; The Brothers McLeod (UK) Prog #4 – Muto; Blu (Italy) Prog #5 – This Way Up; Smith & Foulkes (UK) Prog #6 – The Reason I Collect; Emma Curtis (UK) Prog #7 – Digital Panorama – Dix/Ten; Bif (France) Prog #8 – Abstract Panorama – Without You; Tal Rosner (UK) Prog #9 – Long Shorts – Varmints; Marc Craste (UK) Prog #10 – New Croatian Animation – She Who Measures; Velijko Popovic Late Night Bizarre – Fantasie In Bubblewrap, Michael Metcalf (USA) SIGGRAPH #1 – Harmonix “Rockband”; Pete Candeland (UK) SIGGRAPH #2 – Outer Planet; Lee Seung Wook (South Korea) Sand Panorama – Footprints; Franziska Bachmaier (Germany) Best Of The Next (International) – Trickster; Alexander Pohl (Germany) Kids – Lost And Found; Phil Hunt (UK)
Nickelodeon and Sony Music Entertainment are set to release SpongeBob’s Greatest Hits, a compilation of 17 new and classic tracks celebrating the 10th anniversary of SpongeBob SquarePants.
The album, which will be available via iTunes and on CD in stores July 14, features new songs “We’ve Got Scurvy” by Pink, a remix of the series theme by Cee-Lo Green of Gnarls Barkey, and “Don’t Be a Jerk (It’s Christmas),” a new track co-written by the voice of SpongeBob, Tom Kenny, and Andy Paley.
The album is only part of the SpongeBob 10th anniversary celebration, which also will include the release of new DVDs this summer, starting with SpongeBob SquarePants:To SquarePants or Not to SquarePants, on July 21, and a special compilation of the first 100 episodes due out Sept. 22.
Lassie, the world’s most famous dog, is barking up the animation tree, with a new series being co-developed by DQ Entertainment, Classic Media, M6/France and ZDF/Germany.
The 3D animated series will be the most recent appearance by the popular canine heroine, who first appeared in Eric Knight’s 1940 novel Lassie Come Home. Lassie went on to star in more than 10 feature films in the 1940s and 1950s, followed by the iconic 1950s TV series that ran for 19 seasons.
“Our association as production and distribution partners with Classic Media after the successful debut of hi-end CGI Casper’s Scare School now gets into another long term artistically and commercially fruitful relationship with the co-development of heart-warming TV series in 3D animation,” says Tapaas Chakravarti, chairman and CEO of DQ Entertainment. “We are happy also that we will draw on the creative and commercial experience of Classic Media, M6 and ZDF Group along with our other French and Irish affiliates for this great co-development, which commercially means beginning of a new era for DQ Entertainment Group.”
The character, who most recently appeared in a 2005 feature film, is used to promote a line of dog food and treats and will appear on a stamp from the United States Postal Service due out in August.
MTV Games has appointed two industry veterans to executive positoiins.
Scott Guthrie, previously executive VP of publishing for THQ, is now executive VP and general manager of MTV Games.
Also joining the company as senior VP of sales is David Cox, previously senior director of sales and merchandising for Sony Computer Entertainment America.
Guthrie will direct the unit’s publishing strategy and execution, including marketing, sales and distribution of all MTV Games products — including the successful “Rock Band” franchise developed by Harmonix Music Systems, which Viacom’s MTV Networks acquired in 2006. He will be based out of MTV Networks’ New York City headquarters and report directly to President Van Toffler.
Cox will manage sales for the gaming division, and will work to maximize the breadth of catalogue with MTV Games’ distribution partner, Electronic Arts, and leverage long-standing relationships with key retail buyers to build go-to-market strategies and drive revenue. Cox will be based out of San Francisco and report to Guthrie.
Philip Hunt’s short film Lost and Found took home the audience favorite animation short award — one of several animated winners — at the Palm Springs International ShortFest and Short Film Market.
The festival, which screened more than 300 shot films, gave out awards in 27 categories as it wrapped up Sunday night.
Other animated winners include Cages, a short from Mexico directed by Juan Jose Medina that won first place in the Best Animated Short honors. Juiced and Jazzed, from Justin Webber, took second place.
In the student category, Chris Perry’s The Incident at Tower 37, won first place in the Best Student Animated Short, with The Incredible Story of My Great Grandmother Olive, directed by Alberto Rodriguez from the United Kingdom, won second place.
The Best of Festival Award went to the Hungarian live-action film, The Dinner (Vacsora), directed by Karchi Perlmann.
The full list of winners follows:
JURY AWARDS BEST OF FESTIVAL AWARD - The Dinner (Vacsora) (Hungary), Karchi Perlmann FUTURE FILMMAKER AWARD - Katie Wolfe, This is Her (New Zealand) PANAVISION GRAND JURY AWARD – Jonathan's Home (Japan/Singapore), Nathanael Carton
AUDIENCE AWARDS AUDIENCE FAVORITE LIVE ACTION SHORT - Dandelion Dharma(USA), Veronica DiPippo AUDIENCE FAVORITE DOCUMENTARY SHORT - Claiming the Title: Gay Olympics on Trial (USA), Jonathan Joiner, Robert H. Martin AUDIENCE FAVORITE ANIMATION SHORT - Lost and Found (UK), Philip Hunt
JURY CATEGORY AWARDS BEST LIVE ACTION SHORT UNDER 15 MINUTES: First Place – The Stars Don't Twinkle in Outer Space (UK), Peter Thwaites; Second Place – The Man Inside (Ireland), Rory Bresnihan
BEST LIVE ACTION SHORT OVER 15 MINUTES: First Place – The Taxidermist (UK), Bert & Bertie; Second Place – Love Hate (UK), Dylan Ritson, Blake Ritson
BEST ANIMATED SHORT: First Place – Cages (Mexico), Juan José Medina; Second Place – Juiced and Jazzed (USA), Justin Webber
BEST DOCUMENTARY SHORT: First Place – Irene (Scotland), Lindsay Goodall; Second Place – Naming Pluto (UK), Ginita Jimenez
STUDENT CATEGORIES BEST STUDENT LIVE ACTION SHORT UNDER 15 MINUTES: First Place – Cigarette Candy (USA), Lauren Wolkstein; Second Place – My Four Inch Precious (USA), Sou Yun Sim
BEST STUDENT LIVE ACTION SHORT OVER 15 MINUTES: First Place – The Lunch Box (USA), Lubomir Mihailo Kocka; Second Place – Gloria & Eric (USA), Nicolas Calzada
BEST STUDENT ANIMATED SHORT: First Place – The Incident at Tower 37 (USA), Chris Perry; Second Place – The Incredible Story of My Great Grandmother Olive (UK), Alberto Rodriguez
BEST STUDENT DOCUMENTARY SHORT: First Place – Waiting for Women (Esperando Mujeres) (UK), Estephan Wagner; Second Place – Nutkin's Last Stand (USA), Nicholas Berger
SPECIAL AWARDS KODAK AWARD FOR BEST STUDENT CINEMATOGRAPHY: First Place - Alexa Caravia (cinematographer), Rare Fish (Indonesia); Second Place - Nathan Levine-Heaney (cinematographer), My Four Inch Precious (USA)
THE ALEXIS AWARD FOR MOST PROMISING STUDENT FILMMAKER: A Son's War (Czech Republic), Steven Edell; Special Mentions to Brotherhood (USA), Brooke Sebold, and Cigarette Candy (USA), Lauren Wolkstein.
THE HARD C HIGH FIVE TO LO FI AWARD FOR MOST ENTERTAINING LOW BUDGET SHORT: Marry, F***, Kill (USA), directed by Douglas Lamore.
THE CINEMA WITHOUT BORDERS BEST INTERNATIONAL FILM AWARD: Kingsland #1 The Dreamer (UK), directed by Tony Grisoni.
Michael Sporn’s Splog is a daily must-read for anyone interested in animated cartoons, its history and the experiences of a life-long New York independent animator. Today, Michael posts several vintage articles on the old Terrytoons studio based in New Rochelle, NY.
I want to thank Mike for giving me an excuse to post this fun TV commercial from the mid-1950s, below, featuring future Oscar winner Patty Duke playing with a Remco toy Drive-In Movie Theatre — which came complete with Terrytoons:
Brown, Conroy, And Daly Confirmed For Upcoming "Superman/Batman: Public Enemies"
The World's Finest has received confirmation on the lead roles in the upcoming Superman/Batman: Public Enemies direct-to-video animated feature.
A representative for Warner Bros. Animation has confirmed for The World's Finest that Clancy Brown, Kevin Conroy, and Tim Daly will be reunited in the upcoming Superman/Batman: Public Enemies direct-to-video animated feature, scheduled to hit Blu-ray and DVD in September 2009. All three actors will be reprising familiar roles.
Kevin Conroy is cast as Batman, Tim Daly as Superman and Clancy Brown as Lex Luthor in the upcoming direct-to-video animated feature based off the initial six-part "Public Enemies" storyline from the Superman/Batman comic book. All three actors have played these respective roles before, most notably in Batman: The Animated Series and Superman: The Animated Series.
An official announcement on the upcoming Superman/Batman: Public Enemies direct-to-video animated feature, scheduled to hit Blu-ray and DVD in September 2009, is expected next week. Stay tuned for further updates.
Press Release For "Superman/Batman: Public Enemies" Direct-To-Video Animated Feature
Warner Bros. Animation has issued a press release for the upcoming Superman/Batman: Public Enemies direct-to-video animated feature.
Press Release:
Earth Imperiled, Villainy Reigns, Heroes Hunted - Prepare to Root for the Bad Guys!
Superman/Batman: Public Enemies from Warner Home Video on Sept. 29, 2009
DC Universe Animated Original PG-13 Movie Based on Acclaimed Jeph Loeb/Ed McGuinness Comics; Tim Daly, Kevin Conroy & Clancy Brown Reprise Original Voices of Superman, Batman & Lex Luthor
The World’s Greatest Super Heroes become America’s most wanted criminals – and are hunted by friends and foes alike – in Superman/Batman: Public Enemies, the sixth entry in the popular DVD series of DC Universe Animated Original PG-13 Movies. A co-production of Warner Premiere, DC Comics and Warner Bros. Animation, the full-length animated film will be distributed by Warner Home Video on September 29, 2009. Superman/Batman: Public Enemies will be available as a Special Edition 2-disc version on DVD and Blu-Ray™ Hi-Def for $24.98 (SRP) and $29.99 (SRP), respectively, as well as single disc DVD for $19.98 (SRP) and On Demand. Order due date for all versions is August 25, 2009.
Superman/Batman: Public Enemies is based on the popular Jeph Loeb/Ed McGuinness comic series/graphic novel. Animation legend Bruce Timm (Superman Doomsday, Green Lantern) is executive producer. Michael Goguen (Justice League: The New Frontier) is supervising producer. Sam Liu (The Batman) is directing a script written by Stan Berkowitz (Justice League: The New Frontier).
In the film, United States President Lex Luthor uses the oncoming trajectory of a Kryptonite asteroid to frame Superman and declare a $1 billion bounty on the heads of the Man of Steel and his “partner in crime,” Batman. Heroes and villains alike launch a relentless pursuit of Superman and Batman, who must unite – and recruit help – to stave off the action-packed onslaught, stop the asteroid, and uncover Luthor’s devious plot to take command of far more than North America.
The movie reunites the lead voices of Superman, Batman and Lex Luthor from the landmark Superman: The Animated Series and Batman: The Animated Series. Tim Daly (Private Practice), Kevin Conroy (Batman: The Animated Series, Justice League) and Clancy Brown (The Shawshank Redemption) reprise their roles as Superman, Batman and Lex Luthor, respectively.
Superman/Batman: Public Enemies - 2-Disc Special Edition version will have more than three hours of incredible bonus features, including:
-Blackest Night Featurette: Inside the DC Comics Event: Behind-the-scenes of Blackest Night, the epic DC Super Hero event in which the dead shall rise. -A Test of Minds Featurette: Superman and Batman featurette with Jeph Loeb, giving viewers a fresh and revitalized look at the team-up of Superman and Batman working together despite their often competitive and challenging relationship. -Dinner with DC: With Special Guest Kevin Conroy Featurette: Reprising his role from Batman: The Animated Series, Kevin Conroy joins the crew for dinner to discuss their creative approach and what the Superman/Batman team-up means. The evening will be hosted by Voice Director Andrea Romano, Producer Bruce Timm and DC’s Gregory Noveck -Extended Sneak Peak at Next DCU Film -Digital Copy Download -Widescreen (1.78:1) -Two Episodes of Justice League Unlimited hand-picked by animation legend Bruce Timm
The Blu-ray release of Superman/Batman: Public Enemies will have more than three-and-a-half hours of bonus materials, including all the great extras from the 2-disc Special Edition as well as two additional episodes of Justice League Unlimited and two episodes from Justice League, both personally selected by fan-favorite Bruce Timm.
“Warner Premiere is excited to continue this successful partnership with DC Comics, Warner Bros. Animation and Warner Home Video to present feature-length PG-13 animated original films with the filmmaking and celebrity voice starpower of Superman/Batman: Public Enemies,” said Matt Bierman, Senior Vice President Production, Warner Premiere.
“Based on the past success of Superman Doomsday and Batman: Gotham Knight, we know the pairing of the Man of Steel and the Dark Knight – pitted against both their DC Super Hero colleagues and the entire rogue’s gallery of DC villains – will offer fans the level of entertainment normally reserved for the big, summer blockbuster films,” said Amit Desai, WHV Vice President of Family, Animation & Partner Brands.
“This is the ultimate film for DC animation lovers featuring not only the cornerstone characters of comic book and Saturday morning heroes, but also returns the seminal voices of those characters – Tim Daly, Kevin Conroy and Clancy Brown – in a story that explores the Superman/Batman dynamic and allows Lex Luthor to shine in ultimate villainy,” said Gregory Noveck, Senior VP Creative Affairs, DC Comics.
Marketing Support Superman/Batman: Public Enemies will be extensively marketed with a robust national TV, Print, Radio and Online media campaign generating over 500 million impressions! The campaign will also include trailering on WHV titles to garner an additional 10 million impressions. Exciting promotions with Xbox Live, iTunes, Amazon and the Sony Playstation Network will drive strong consumer awareness and demand amongst the core fan base. Additionally, the dedicated Superman/Batman: Public Enemies website will include an enticing sweepstakes offer to drive traffic and viral activity.
Basics: Superman/Batman: Public Enemies - Single Disc Street Date: September 29, 2009 Order Due Date: August 25, 2009 Languages: English and Spanish Audio: Dolby Surround Stereo Rating: PG-13 Runtime: Estimated 75 min. Price: $19.98 SRP / No MAP UPC: 883929069934
Superman/Batman: Public Enemies – 2-Disc Special Edition Street Date: September 29, 2009 Order Due Date: August 25, 2009 Languages: English and Spanish Audio: Dolby Surround Stereo Rating: PG-13 Runtimes: Disc 1 – Estimated 75 min. Disc 2 – Estimated 180+ minutes Price: $24.98 SRP / No MAP UPC: 883929069927
Superman/Batman: Public Enemies – Blu-Ray™ Hi-Def Street Date: September 29, 2009 Order Due Date: August 25, 2009 Languages: English and Spanish Audio: Dolby Surround Stereo Rating: PG-13 Runtimes: Disc 1 – Estimated 75 min. Disc 2 – Estimated 210+ minutes Price: $29.99 SRP / No MAP UPC: 883929070626
DWA's Early Foray Into Television Animation
A commenter asks:
The only false start that I can remember DWA having on television was "Father of the Pride" in 2004 , which was five years ago. What was the other DWA television flop thirteen years ago ? (Or was it a planned tv show that was never produced ?)
Well, pull up some comfy chairs, friends and neighbors, and I'll tell you of DreamWorks Animation first television studio ... located in sun-kissed Encino on fabled Ventura Boulevard a dozen years ago ...
Before there was Madagascar penguins, before there were prides and fathers and 'Vegas magicians, DreamWorks Animation ran its own teevee animation division, located in a glossy mid-Valley office building.
This was in the middle nineties, when the proprietors of of DreamWorks SKG had visions of a television animation empire dancing in their heads, and the horizons for small-screen projects seemed wide. (Mr. Spielberg, after all, had already enjoyed fine success with Animaniacs, Tiny Toons, Pinky and the Brain and others. And Jeffrey had been present at the birthing of Disney Television Animation.)
Animation for the small screen was then roaring, and top talent was pulling down good salaries at a variety of L.A. studios. DreamWorks Animation signed a sizable staff to term contractsat high wages and set about to develop new series that would knock the socks off the competition. (I walked through the facility numerous times in those early months, and morale and hopes were high.)
Word was going around that DreamWorks TV Animation was finalizing a deal to supply ABC with all its Saturday morning animated programs ... but then Disney (led by Jeffrey's former compadre Michael Eisner) swooped in and bough the network, and the rumored deal between DreamWorks and the broadcaster never happened.
DreamWorks t.v. division soldiered on, developing other projects. Toonsylvania, a comedy series produced and directed by Bill Kopp and Jeff DeGrandis, was broadcast on Fox, lasted from February to December in 1998, and was then distributed on VHS. (It's never shown up on DVD.)
Also in 1998, DreamWorks' animated mini-series Invasion America ran on the Warner Bros. in prime time. After it aired, one of the artists who worked on it told me.
"Steven Spielberg [one of the show's creators] is really unhappy with the animation and production quality, and didn't think Invasion America looked good at all. He thought the overseas studio did a really poor job" ...
After the two series, the studio in Encino slowly wound down. The staff, which had circulated a petition against one of DreamWorks TV Animation's execs and caused Jefrey Katzenberg to drive over to tamp out fires of discontent, became fatalistic about the division's chances of survival. "We know we're gone as soon as our Personal Service Agreements are up" was a major theme, and by and by the offices in Encino were closed. (The Lakeside building on DreamWorks Animation's Glendale campus, originally slated to house the television animation division, today houses feature animation staff.)
It took most of a decade before DreamWorks Animation again got seriously involved in television. Father of the Pride was a primetime misfire, but The Penguins of Madagascar has been a solid Nicktoons hit, with other series from DWA features in the teevee pipeline.
It took awhile, but DreamWorks Animation is now back in the television business. And now you know the rest... of the story.
Barcelona-based Big Lazy Robot Visual Effects created this spec ad, titled Exploit Yourself, for Nike. Carl Erik Rinsch directed the ad, which took 4 months to produce.
Religion-Focused Student Film Censored
Church attendance has slipped significantly in the US, over half of all Britons claim “no religion,” and in Italy, home to the world’s “religious capital” Rome, only 30 percent of the population attends Mass every Sunday. This appears to be the the topic of a new graduation film from Centro Sperimentale di Cinematografia. Students Giovanni Braggio, Mario Nucibello, Elena Rotatori, Mattia Simeoni and Daniele Zacchi animated this traditional 2D film, titled Opus Dei, which was subsequently censored by the school and removed from various festivals. Seems par for the course for a school centered in Rome.
Korean Animation is Cause For Alarm
Alarm is Moo-hyun Jang’s second animated short, directed with the MESAI team in Korea. If you’re feeling sleepy, this short is not for you - it’s slow moving, and I suspect it would have the same effect if it were 3 minutes long. Regardless, it’s very well produced.
Saldanha on Ice Age: Dawn of the Dinosaurs
In this clip below, co-director Chris Saldanha discusses Ice Age: Dawn of the Dinosaurs, which hits theaters on Wednesday, July 1st. At 55% on RottenTomatoes.com, the film isn’t exactly wowing critics, but I’ll see it just for the Simon Pegg sequences.
Tait and McDonald Play Tuba For PSST!
As you might already know, PSST!3 is a collaborative film project that invites designers, directors, animators and composers to create animated shorts, ala Exquisite Corpse (the first artist hands his section along, which is then picked up by the next artist. I really enjoyed Orion Tait (Buck) and Pete McDonald’s Tuba section in this short titled Tuba Thunderground Soundblind, which plays at the beginning.
Smurfs Movie Adds a Third Dimension
The Smurfs have been making their way to the big screen for a while, but it now looks like they’ll be arriving in 3-D.
Columbia Pictures is planning to release the CG/live-action hybrid, known now as Smurfs 3-D, on Dec. 17, 2010, according to ComingSoon.net.
The film, to be directed by Colin Brady from a script by David Stern and David Weiss, is based on the comic strip characters created by Belgian artist Peyo. The strip inspired countless toys, accessories and a popular 1980s animated TV series.
Nickelodeon’s Penguins of Madagascar was the top-rated animated series with kids and total viewers for the second quarter of 2009, followed closely by SpongeBob SquarePants.
The strength of both shows helped make Nick the top total day network for kids and total viewers — continuing a 15-year streak in that category.
Penguins of Madagascar, a spinoff of the DreamWorks Animation feature film series, has averaged more than 24 million total viewer a week since it debuted in March.
SpongeBob, which is celebrating its 10th anniversary, is the No. 1 animated series year-to-date among kids 2-11 — a status it has held for seven years running.
Scholastic Media has announced that Emmy-winning writer, director and producer Jack D. Ferraiolo is returning to its animation studio Soup2Nuts as development executive.
In his new position, Ferraiolo will develop new and existing properties at Soup2Nuts’ studios in Boston and Scholastic’s New York offices.
Ferraiolo’s credits include developing the animated series WordGirl for PBS KIDS, for which he won an Emmy for Best Writing in Animation, as well as Science Court for ABC, Home Movies on Adult Swim and O’Grady on The N children’s network.
"We are delighted to see Jack return to Soup2Nuts," said Deborah Forte, president of Scholastic Media and executive VP of Scholastic Inc. "He is a creative executive whose writing and animation experience will guide Soup2Nuts to event greater success. His sensibility and talent relationships are respected throughout the industry."
Ferraiolo also is an acclaimed author, with his first novel, The Big Splash, earning rave reviews and was nominated for a 2009 Edgar Award as Best Young Adult Novel.
The Harvey Awards, named for Mad Magazine pioneer Harvey Kurtzman and honoring achievement in the comic book field, have nominated works in 26 categories.
The nominations and winners are determined solely by people working in the creative aspects of the comic book field. Ballots are available online at http://www.harveyawards.org/ and are due Aug. 28.
The winners will be announced Oct. 10 in Baltimore, Md., at a ceremony held in conjunction with the Baltimore Comic-Con.
The full list of nominees follows:
BEST WRITER
• Kyle Baker, NAT TURNER, Abrams Books • Ed Brubaker, CAPTAIN AMERICA, Marvel Comics • John Gallagher, BUZZBOY, Sky Dog Comics • Jeff Kinney, DIARY OF A WIMPY KID, Amulet Books • Grant Morrison, ALL-STAR SUPERMAN, DC Comics
BEST ARTIST
• Gabriel Ba, UMBRELLA ACADEMY, Dark Horse Comics • Kyle Baker, NAT TURNER, Abrams Books • Jimmy Gownley, AMELIA RULES, Renaissance Press • Jason Kruse, WORLD OF QUEST, Yen Press • Frank Quitely, ALL-STAR SUPERMAN, DC Comics
BEST CARTOONIST
• Lar deSouza, LEAST I COULD DO, www.leasticoulddo.com • John Gallagher, BUZZBOY, Sky Dog Comics • Al Jaffee, TALL TALES, Abrams Books • Jeff Kinney, DIARY OF A WIMPY KID, Amulet Books • Thom Zahler, LOVE & CAPES, Maerkle Press
BEST LETTERER
• Jimmy Gownley, AMELIA RULES, Renaissance Press • Rob Leigh, THE SPIRIT, DC Comics • Doug Sherwood, LOCAL, Oni Press • John Workman, MARVEL 1985, Marvel Comics • Thom Zahler, BUZZBOY, Sky Dog Comics
BEST INKER
• Rich Faber, BUZZBOY, Sky Dog Comics • Jamie Grant, ALL-STAR SUPERMAN, DC Comics • Jeff Kinney, DIARY OF A WIMPY KID, Amulet Books • Mark Morales, THOR, Marvel Comics • Ryan Winn, THE DARKNESS, Image Comics
BEST COLORIST
• Frank Cammuso, OTTO'S ORANGE DAY, Raw Junior, LLC • Jamie Grant, ALL-STAR SUPERMAN, DC Comics • Laura Martin, THOR, Marvel Comics • Wil Quintana, THE MICE TEMPLAR, Image Comics • Dave Stewart, UMBRELLA ACADEMY, Dark Horse Comics
BEST COVER ARTIST
• Frank Cho, BUZZBOY: SIDEKICKS RULE!#3, Sky Dog Press • James Jean, FABLES, Vertigo Comics • Jay Lynch, MINDSHAFT #23, Mindshaft Publishing • Ken Rocafort, PILOT SEASON: CORE #1, Top Cow • Alex Ross, JUSTICE SOCIETY OF AMERICA, DC Comics
BEST NEW SERIES
• THE DREAMER, IDW • ECHO, Abstract Studios • HIGH MOON, www.zudacomics.com • NIGHT OWLS, www.zudacomics.com • SUPERTRON, www.zudacomics.com
BEST CONTINUING OR LIMITED SERIES
• ALL-STAR SUPERMAN, DC Comics • CAPTAIN AMERICA, Marvel Comics • DIARY OF A WIMPY KID, Amulet Books • MICE TEMPLAR, Image Comics • UMBRELLA ACADEMY, Dark Horse Comics
BEST BIOGRAPHICAL, HISTORICAL OR JOURNALISTIC PRESENTATION
• DRAW!, edited by Mike Manley, Twomorrows Publishing • HOW TO MAKE WEBCOMICS, Brad Guigar, Dave Kellett, Scott Kurtz, and Kris Straub, Image Comics • KIRBY: KING OF COMICS, Mark Evanier, Abrams Books • SCORCHY SMITH AND THE ART OF NOEL SICKLES, edited by Dean Mullaney, IDW • WORDLESS BOOKS: THE ORIGINAL GRAPHIC NOVELS, edited by David A. Berona, Abrams Books
BEST SYNDICATED STRIP OR PANEL
• BREWSTER ROCKIT: SPACE GUY!, Tim Rickard, Tribune Media Services • GET FUZZY, Darby Conley, United Features Syndicate • MUTTS, Patrick McDonnell, King Features Syndicate • THE NORM, Michael Jantze, Uclick Gocomics • PEARLS BEFORE SWINE, Stephan Pastis, United Features Syndicate
BEST ANTHOLOGY
• COMIC BOOK TATTOO, edited by Rantz Hoseley, Image Comics • FLIGHT VOLUME 5, edited by Kazu Kibuishi, Villard • MOME VOLUME 10, edited by Eric Reynolds, Fantagraphics Books • PIXU #1, edited by Gabriel Ba and Fabio Moon, Self-Published • POPGUN VOLUME 2, edited by Joe Keatinge and Mark Andrew Smith, Image Comics
BEST GRAPHIC ALBUM – ORIGINAL
• BOTTOMLESS BELLY BUTTON, Fantagraphics Books • DIARY OF A WIMPY KID: RODRICK RULES, Amulet Books • ESSEX COUNTY: THE COUNTRY NURSE, Top Shelf • SKIM, Groundwood Books • TOO COOL TO BE FORGOTTEN, Top Shelf • WORLD OF QUEST: VOL. 2, Yen Press
BEST GRAPHIC ALBUM – PREVIOUSLY PUBLISHED
• AMELIA RULES!: FUNNY STORIES, Renaissance Press • M, Abrams Books • NAT TURNER, Abrams Books • THE MICE TEMPLAR: VOL. 1, Image Comics • QUEEN AND COUNTRY: VOLUME 3, Oni Press • SKYSCRAPERS OF THE MIDWEST (HARDCOVER), Adhouse Books
BEST SINGLE ISSUE OR STORY
• ACME NOVELTY LIBRARY #19, Self-Published • FIRST BORN: AFTERMATH #1, Top Cow • LOVE AND ROCKETS, VOL. 3 #1, Fantagraphics Books • M, Abrams Books • NASCAR HEROES #5, NASCAR Comics • NAT TURNER, Abrams Books • THE AMAZING REMARKABLE MONSIEUR LEOTARD, First Second • Y: THE LAST MAN #60, Vertigo Comics
BEST DOMESTIC REPRINT PROJECT
• ASTOUNDING SPACE THRILLS, IDW • COMPLETE PEANUTS, Fantagraphics Books • COMPLETE TERRY AND THE PIRATES, IDW • SCORCHY SMITH AND THE ART OF NOEL SICKLES, IDW • WACKY PACKAGES, Abrams Books
BEST AMERICAN EDITION OF FOREIGN MATERIAL
• GUS AND HIS GANG, First Second • POCKET FULL OF RAIN, Fantagraphics Books • RED COLORED ELEGY, Drawn and Quarterly • SOLANIN, Viz • WITCHBLADE TAKERU MANGA #'s 11 & 12, Top Cow
BEST ON-LINE COMICS WORK
• BLACK CHERRY BOMBSHELLS, Tony Trovarello and John Zito, www.zudacomics.com • HIGH MOON, Scott O. Brown, www.zudacomics.com • LEAST I COULD DO, Lar deSouza and Ryan Sohmer, www.leasticoulddo.com • NIGHT OWLS, Bobby & Peter Timony, www.zudacomics.com • PVP, Scott Kurtz, www.pvponline.com
SPECIAL AWARD FOR HUMOR IN COMICS
• Lar deSouza, LEAST I COULD DO, www.leasticoulddo.com • John Gallagher, BUZZBOY, Sky Dog Comics • Al Jaffee, TALL TALES, Abrams Books • Jeff Kinney, DIARY OF A WIMPY KID, Amulet Books • David Malki, WONDERMARK, www.wondermark.com
SPECIAL AWARD FOR EXCELLENCE IN PRESENTATION
• COMPLETE LOCAL: HARDCOVER EDITION, Ryan Kelly and Brian Wood, Oni Press • KIRBY: KING OF COMICS, Mark Evanier, Abrams Books • QUEEN AND COUNTRY: VOLUME 3, Greg Rucka, Mike Norton, Steve Rolston, and Chris Samnee, Oni Press • TALL TALES, Al Jaffee, Abrams Books • WONDERMARK, VOL. 1: BEARDS OF OUR FOREFATHERS, David Malki, Dark Horse Comics
BEST NEW TALENT
• Matt Cassan, NASCAR: HEROES, Nascar Comics • Bryan J.L. Glass, THE MICE TEMPLAR, Image Books • Laura Innes, THE DREAMER, IDW • Tim Sievert, THAT SALTY AIR, Top Shelf • Bobby Timony, NIGHT OWLS, www.zudacomics.com
The invitees who accept the Academy’s offer will be welcomed with a special reception to be held in September.
The invited animators are: J.J. Blumenkranz, Konstantin Bronzit, Kendal Cronkhite, Rodolphe Guenoden, Byron Howard, Kunio Kato, Doug Sweetland and Chris Williams.
Selick was invited to join as a director.
Eleven were invited to join the visual effects branch. They are Christopher Bond, Matthew Butler, Chris Corbould, Rob Engle, Scott Gordon, Hal Hickel, Van Ling, Shane Mahan, Steve Preeg, Tim Webber and Edson Williams.
The full list of invitees follows:
Actors • Casey Affleck – The Assassination of Jesse James by the Coward Robert Ford, Gone Baby Gone • Emily Blunt – Sunshine Cleaning, The Devil Wears Prada • Michael Cera – Juno, Superbad • Viola Davis – Doubt, State of Play • James Franco – Milk, Spider-Man • Brendan Gleeson – In Bruges, Mission: Impossible II • Anne Hathaway – Rachel Getting Married, The Princess Diaries • Taraji P. Henson – The Curious Case of Benjamin Button, Hustle & Flow • Emile Hirsch – Into the Wild, Lords of Dogtown • Hugh Jackman – X-Men Origins: Wolverine, The Prestige • Melissa Leo – Frozen River, 21 Grams • Jane Lynch – Role Models, The 40 Year-Old Virgin • Eddie Marsan – Happy-Go-Lucky, The Illusionist • James McAvoy – Atonement, The Last King of Scotland • Seth Rogen – Monsters vs. Aliens, Knocked Up • Paul Rudd – I Love You, Man, Knocked Up • Amy Ryan – Changeling, Gone Baby Gone • Michael Shannon – Revolutionary Road, Before the Devil Knows You’re Dead • Michelle Williams – Wendy and Lucy, Brokeback Mountain • Jeffrey Wright – Quantum of Solace, W.
Animators • J.J. Blumenkranz – Monster House, The Polar Express • Konstantin Bronzit – Lavatory-Lovestory, The Cat and the Fox • Kendal Cronkhite – Madagascar: Escape 2 Africa, Antz • Rodolphe Guenoden – Kung Fu Panda, Sinbad: Legend of the Seven Seas • Byron Howard – Bolt, Lilo & Stitch • Kunio Kato – La Maison en Petits Cubes • Doug Sweetland – Presto, The Incredibles • Chris Williams – Bolt, Chicken Little
Art Directors • Andrew Ackland-Snow – Harry Potter and the Order of the Phoenix, Notting Hill
At-Large • Matthew D. Loeb • Redmond Morris
Casting Directors • John Papsidera – The Dark Knight, Agent Cody Banks • Bernie Telsey – Sex and the City, Across the Universe
Cinematographers • Russ T. Alsobrook – Paul Blart: Mall Cop, Forgetting Sarah Marshall • Anthony Dod Mantle – Slumdog Millionaire, The Last King of Scotland • Henner Hofmann – Ave Maria, La Leyenda de una Mascara (The Legend of the Mask) • Claudio Miranda – The Curious Case of Benjamin Button, Failure to Launch • Rodney Taylor – Save Me, Wired to Win: Surviving the Tour de France • Mandy Walker – Australia, Shattered Glass
Costume Designers • Deborah Hopper – Changeling, Million Dollar Baby • Louise Mingenbach – The Hangover, Superman Returns • Michael O’Connor – The Duchess, Miss Pettigrew Lives for a Day • Michael Wilkinson – Watchmen, Babel
Directors • Rachid Bouchareb – Days of Glory, Dust of Life • Danny Boyle – Slumdog Millionaire, Sunshine • David Frankel – Marley & Me, The Devil Wears Prada • Rod Lurie – Nothing but the Truth, The Contender • Thomas McCarthy – The Visitor, The Station Agent • Tyler Perry – Tyler Perry’s Meet the Browns, Madea’s Family Reunion • Henry Selick – Coraline, Monkeybone
Documentary • William Gazecki – Crop Circles: Quest for Truth, Waco: The Rules of Engagement • Rachel Grady – Jesus Camp, The Boys of Baraka • Rory Kennedy – Ghosts of Abu Ghraib, A Boy’s Life • Scott Hamilton Kennedy – The Garden, OT: Our Town • James Marsh – Man on Wire, Wisconsin Death Trip • Megan Mylan – Smile Pinki, Lost Boys of Sudan • Doug Pray – Surfwise, Scratch
Executives • Daniel D.A. Battsek • Steve Beeks • Graham W. Burke • Joe Drake • Erik Feig • Paul Hanneman • Donald P. Harris • Claudia Lewis
Film Editors • Roger Barton – Speed Racer, Star Wars: Episode III Revenge of the Sith • Hank Corwin – What Just Happened, The New World • Chris Dickens – Slumdog Millionaire, Shaun of the Dead • Elliot Graham – Milk, Superman Returns • Kathryn Himoff – Appaloosa, The Sisterhood of the Traveling Pants • Leo Trombetta – Little Children, Northfork • Brent White – Step Brothers, Talladega Nights: The Ballad of Ricky Bobby • Pam Wise – Then She Found Me, Transamerica
Live Action Short Films • Reto Caffi – Auf der Strecke (On the Line), Leos Freunde • Jochen Alexander Freydank – Spielzeugland (Toyland), Dienst (Duty) • F. Carter Pilcher – The Dreaming, Bitter
Makeup and Hairstylists • Howard Berger – Seven Pounds, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe • Mike Elizalde – Hellboy II: The Golden Army, Fantastic Four: Rise of The Silver Surfer • Louis Lazzara – Race to Witch Mountain, Terminator 3: Rise of the Machines • Gerald Quist – Tropic Thunder, The Santa Clause 3: The Escape Clause
Music • Jeff Danna – Lakeview Terrace, Fracture • Andrew Dorfman – Baby Mama, Nick & Norah’s Infinite Playlist • Peter Gabriel – WALL•E, Philadelphia • Clint Mansell – The Wrestler, The Fountain • A.R. Rahman – Slumdog Millionaire, Elizabeth: The Golden Age
Producers • Mark Ciardi – The Game Plan, The Rookie • Christian Colson – Slumdog Millionaire, The Descent • Gordon Gray – Invincible, Miracle • Broderick Johnson – One Missed Call, P.S. I Love You • Cathy Konrad – 3:10 to Yuma, Walk the Line • Andrew Kosove – Racing Stripes; Dude, Where’s My Car? • James Lassiter – Hancock, Lakeview Terrace • Russell Smith – Juno, The Libertine • Paula Wagner – Death Race, Elizabethtown
Production Designers • Donald Graham Burt – The Curious Case of Benjamin Button, Zodiac • Michael Carlin – The Duchess, In Bruges • Jane Ann Stewart – The Savages, Sideways • Kevin Thompson – Duplicity, Michael Clayton
Public Relations • Michael D. Camp • Marc Cohen • Megan Colligan • James C. Gallagher • David Kaminow • Sal Ladestro • Maria Pekurovskaya • Elizabeth Petit
Set Decorators • Rebecca Alleway – The Duchess, The Last King of Scotland • Peter Lando – The Dark Knight, The Invisible • Barbara Munch-Cameron – Bottle Shock, Rent
Scenic Artists • Robert Topol – Doubt, The Departed
Sound • Michael Barry – The Reader, Mamma Mia! • Derek Casari – The Soloist, Beowulf • Aaron Glascock – Deception; Good Night, and Good Luck • Ren Klyce – Zodiac, The Fight Club • Peter F. Kurland – No Country for Old Men, Walk the Line • Karen Baker Landers – 27 Dresses, The Bourne Ultimatum • Hamilton Sterling – Fool’s Gold, Scary Movie 4 • Deborah Wallach – Frost/Nixon, The Da Vinci Code • Kim Waugh – Shade, Monster’s Ball
Visual Effects • Christopher Bond – Idlewild, Superman Returns • Matthew Butler – The Mummy: Tomb of the Dragon Emperor, Letters from Iwo Jima • Chris Corbould – The Dark Knight, Casino Royale • Rob Engle – Jonas Brothers: The 3D Concert Experience, Beowulf • Scott Gordon – Nim’s Island, Spider-Man 3 • Hal Hickel – Iron Man, Pirates of the Caribbean: Dead Man’s Chest • Van Ling – Milk, Vanilla Sky • Shane Mahan – Iron Man, War of the Worlds • Steve Preeg – The Curious Case of Benjamin Button, The Lord of the Rings: The Return of the King • Tim Webber - The Dark Knight, Children of Men • Edson Williams – Star Trek (2009), The Curious Case of Benjamin Button
Writers • John August – Charlie and the Chocolate Factory, Charlie’s Angels • Dustin Lance Black – Milk • Courtney Hunt – Frozen River • Howard A. Rodman – Savage Grace, Joe Gould’s Secret
The Secret of Kells is the first animated film to win the audience award at the prestigious Edinburgh Film Festival, with producer Paul Young accepting the award this past weekend from Sean Connery.
The film, made by Cartoon Saloon as a Irish-Belgian-French co-production, has been racking up honors all across Europe and is due to make its U.S. premiere in July at the New York International Children’s Film Festival.
Also, Empire Film Group has picked up the U.S. distribution rights for the film and will release it in about 10 major cites across the country in the third quarter of 2009.
What Cloverfield director Matt Reeves plans for his remake of the vampire indie Let the Right One In
Cloverfield director Matt Reeves takes on the proposed English-language version of the critically acclaimed Swedish vampire movie Let the Right One In as his next project, and he spoke with the Los Angeles Times about it.
The original tells the story of a lonely 12-year-old boy who realizes the kind girl who moved in next door is a vampire.
Here's what the Times reported:
"I was just hooked," Reeves recalled recently. "I was so taken with the story, and I had a very personal reaction. It reminded me a lot of my childhood, with the metaphor that the hard times of your pre-adolescent, early adolescent moment, that painful experience is a horror."
Reeves signed on to adapt and direct an American remake of the cult hit, now called Let Me In, the English translation of John Ajvide Lindqvist's original novel. He recently finished a second draft of the script, currently set in Reagan-era Colorado, and is scouting locations, looking to maintain the original story's chilly, snow-swept environs. The film is scheduled for a fall 2010 theatrical release.
Ben studied animation under former Disney animator Milt Neil at the Joe Kubert School of Cartoon and Graphic Art. He has been in the animation industry since 1984. He started doing animation for small commercials, then years later moved on to J.J. Sedelmaier Productions working on the "Cluckin' Chicken" parody for Saturday Night Live, which led to MTV, where he worked on "Beavis and Butt-Head", doing storyboard revisions, character and prop design, layout. animation on the hallucination sequence on the feature "Beavis and Butt-head Do "America" and also MTV's "The Maxx", doing character layout. As a freelancer, he's worked for various companies including Disney TV, Nickelodeon, Cartoon Network, HBO Family, Miramax, Warner Bros., Saatchi and Saatchi, General Mills and Comedy Central. Currently, he's still doing the freelancing thing, while developing some personal projects for pitching.